Showing posts with label light. Show all posts
Showing posts with label light. Show all posts

Monday, January 23, 2012

Giant Blocks of Sugar Rocks


This is a sugar crystal. A big one. This sucker was about 4 or 5cm across. I like the misty blue effect along the top of the crystal in the photo above. This is actually a simple light smear due to camera shake.


The colors in these photos are from Legos that surrounded the sugar crystals when I was shooting. Crystals pickup the reflected tones, shadows and light that surround them. I was intrigued by the textures on/in the crystals that looked like rain on a window.


I love the geometric-ness of many of the crystals we grew. I made them with the kids by making a super-saturated solution of sugar and water, then we placed sticks in it and waited, and waited... and waited.

It took about three weeks for us to get pretty good sticks encrusted with big, blocky crystals. I was surprised it took so long, all the online tutorials for growing great sugar crystals made it sound like it was a much faster process. We also saw a lot of extra crystal growth on the bottom of the cups. I think this happened because we must have had a little un-dissolved sugar in the solution.





Below are the crystal-encrusted sticks we grew, and from which these photos have come.


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Wednesday, March 30, 2011

Along the Edges


I have several photos of the edges of things from some recent shoots. Above is the edge of a piece of a mirror; the glass is about 2 or 3mm thick. And though the sharp edges of glass may look straight, they are often full of nicks and dings and chipped surfaces.

The next photo is the edge of an aerogel. This very fragile material is one of the worlds best insulators (it's about 97% air) and is also the least dense substance on earth. It's created in laboratories and used by NASA for insulating spacecraft, among other more earth-based uses.

This sample of aerogel was contributed kindly by a fan of Morning Macro. Thank you, Matt!


See if you can guess from the next two photos what they are before reading further.



The two photos above are different edges on a typical disposable plastic tape dispenser. The first is the cutting edge for the tape, and the second is an edge of the curved body of the dispenser, with a printed insert inside.

The last two photos that follow are more from the crossed polars shoots. These are the cut edges of bubble wrap, and you can see the wall thickness of the "bubbles" clearly in these shots. Remember, the colors in these photos were present in the actual subjects, and were the fascinating result of using two polarized films in opposing alignment, not because it was lit with colored lights. Only white light was used in the capture of these photos.



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Tuesday, March 22, 2011

Crossed Polar Light Experiments 2


The photo above is another view of the frozen thin film of soapy water. I think it would be stunning output huge and mounted to a large wall.

In my last post, I explained how placing a polarizing filter on each side of a photo subject can produce fun and interesting light and color effects. I'll keep playing with it in future photos. In the meantime, here are a few more images from my experimentation.

You'll note that some of these don't contain the bright rainbows characteristic of crossed polar photography. I think this can be attributed to one of two reasons. Either the subject of the photo was not able to produce the colorful effects we saw in the previous photos, or my camera's polarizing filter was at something other than a 90° angle to the light source's polarizing filter.

I'm also posting more abstract and patterny images this round, as opposed to the more object-oriented images before.

Either way, I liked the photos in this batch too and believe they have their own artistic merit. The image below is a close up of an imperfection in a rocks glass on which I had attempted to dissolve a salt crystal in alcohol. I love the tensions and stresses captured inside the glass which are highlighted in this photo.


To me, the image below looks like a deep field space photo from the Hubble Telescope. In fact, it's an area of frozen soapy film covering only about 15mm. Amazing how we see the structures of nature repeated from the largest scale down to the smallest. I don't know what the glowy white orbs are in this photo. I think they mush have been bubbles which were outside my camera's depth of field starting to melt, or areas of larger ice crystal growth.


I like the serenity of the image below. It is another imperfection in the glass of the cup I was shooting. A much calmer imperfection than the other one, indeed.



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Monday, March 21, 2011

Crossed Polar Light Experiments 1


The photo above is soapy water sprayed as a thin film on plexiglass, frozen, and shot using cross-polarized light. Without crossed polars, this looks just black and grey.

While looking at some beautiful photomicography (pretty much the same as what I do, only using a microscope instead of foolishly hand-holding the camera like me), I stumbled across a way of using two polarized films to highlight details in a subject typically invisible to our eyes.

Your sunglasses may be polarized, and you would know because when you look at a shiny car in the sun, the reflections change noticeably. This is because the polarized film of your sunglass lens is only allowing light at one angle to pass through. To try out this concept, I simply used the two lenses of an old pair of shades.

If you take these two lenses out of the frame and hold them up against eachother, stacked, you will notice that things look just a bit darker through them. But, rotate one of them 90° from the other, and you will notice you see nothing through them. Like magic, they turn black against one another.


In photomicography using crossed polars, one places their light source directly beneath the subject, with a polarized film in between them. In this case, one of my sunglass lenses.

The other sunglass lens is situated between the subject and my camera lens (called the "objective" in fancy microscope-jockey terms), and I simply used tape to hold it in place over the front of my lens. It is important when shooting this way, to hold the camera and position the lens so that the two polarized films (sunglass lenses) are at 90° angles to eachother. They should "black out" eachother, but you can still see the subject between them.

If your subject is plastic, or a crystal structure, you should see rainbow patterns inside them as you dial in the correct angle of the lens/polarizer relative to the light/polarizer. And this is how it's done. I want to reiterate that all these photos were made using white light, no colored lights or fancy computer tricks involved.

Scientists shoot minerals and other substances using this technique (though far more complex than I have explained here) and are able to identify materials by the way they scatter light between the two polarizing films. I am just using it to make pretty pictures.

Above is another view of the frozen soapy water. I think it was starting to melt at this point. The three last images below are different views of bubble wrap using cross polarized light.





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Sunday, January 24, 2010

Christmas Fish Eyes




A quick closeup of one of our Christmas ornaments. I took this while packing them away earlier this month. At normal size, it's a seafoam green sparkly christmas ball. I wanted to see what the sparkle was made of, and as you can see here, millions of tiny clear balls are adhered to the ornament. They look like bubbles or fish eyes, at this level of magnification.



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Saturday, January 2, 2010

LED Christmas Lights



Here are the best microphotos I can get right now of the light-emitting diode (LED) inside an energy-efficient LED Christmas light. You can see that the electronics inside are different than the glowing tungsten filament in a standard incandescent mini Christmas light, which we've looked at before.

LEDs work differently than incandescent lights, use far less energy, and generate far less heat. To get these photos, I actually had to shoot many frames because of the way LEDs work. They strobe very fast, blinking on and off many times a second. This aspect of their function meant that about half the photos I took of the diode came out completely black.

I also found it interesting that the blue diode appeared to have two attaching wires at the top as opposed to the single lead on the orange diode above. While I don't know why they are different in this way, I do know that there are differences in the ways different colored diodes function. Getting the right light frequency is apparently part art and part science.

Another LED tidbit is that white LED lights are actually not white. Rather, they are made from one of the other LED colors tuned to a very desaturated color within its frequency.

I'm gonna say I'm about 98% right on that bit of cocktail party knowledge. It's knowledge for a geek cocktail party, but a cocktail party nonetheless.



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Wednesday, December 30, 2009

Christmas Light Filaments



These are the glowing hot filaments inside of an incandescent mini Christmas light. These are typically made of tungsten. I haven't figured out how to get a good shot of one of our LED Christmas lights yet.










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Thursday, November 5, 2009

Wine and Cheese Social




It's standard practice to have refreshments, something like wine and cheese, for guests at an art opening or studio tour. For my Tiny Lab exhibit at the Hoboken Studio Tour, I chose to forego edible refreshments, and instead gave out small cards printed with macro images of wine and cheese. I had hoped these would be memorable and unique for my guests.

I did get some positive feedback, some visitors did seem delighted. And at least one blogger mentioned my refreshments in his blog. So I suppose it worked.

Above and below are two microphoto images of port. This came from the bottom of the bottle, so the sediment (composed primarily of shredded grape skins I guess) has collected in these drops I used in the setup. I love the color and luminance of these photos.



Below are two microphotos of cheese. The one directly below here is cheddar, and the one at the bottom of this post is gruyere. In both cases, I had simply sliced a thin sliver of cheese, and then torn the edge to get an interesting subject for the photo. Some visitors to Tiny Lab were a bit skeptical that this was cheese. I assure it you it was.




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Tuesday, October 20, 2009

Hoboken Studio Tour/Tiny Lab: Tiny Jewels



Another visitor to my Tiny Lab exhibit for the Hoboken Studio Tour asked me to shoot her earring {I think this was an earring}. The gems were very small, and the blue was enamel, I think.

The photo above was shot in beautiful, soft, white ambient daylight by a huge studio window. The photo below shot with a flash. You can see the difference in depth of field between a small aperture {below} and a large aperture {above} setting on my camera.


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Wednesday, August 12, 2009

Fly Me to the Moon, or Right Into a Lightbulb, if You're a Moth

And here come the creepier crawlers!

Above is the face of a moth. This was a rather small moth, actually. A larger moth would have had a larger head with more "feathers" and bigger eyes. However, I am happy with this shot anyway, because it's pretty much in sharp focus. Which is hard for such a tiny thing.

In other tiny-things-in-sharp-focus news, below is some sort of fly on a leaf. Maybe I'll find it's actually a bee and have to correct it like my last post.

One interesting detail I noticed is the little fly feet. I guess I've never seen or noticed what fly feet look like. Take a look at them, they're two little claw things, and two sticky pads. This particular fly appears to be missing the claw/pads on its left middle leg.
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Wednesday, July 15, 2009

Critters

Say hello to my little friends.

Here are a few critters I encountered in the wild vegetation of my parents' back yard. If you haven't noticed, the last several posts have been plant related. I snapped lots of material in my recent trip.

The wasp above unfortunately had to be sprayed, since its nest was attached to the deck next to the pool where our girls spent much of their time. In the photo, the wasp is dead. Alive, its antennae would have been extended above its head, not curled down.

The spider below was a little surprise I found under the curled edge of a leaf. I had been shooting a spider web, and came across its foreman, on a snack break. Union workers, sheesh.

At the end of this post is an OOF (Out-Of-Focus) shot of some sort of fly. I've included it because I find it pretty for reasons other than being a good macro/micro photo. I like the softness of the colors and the buttery warm light. And that the fly appears to be made of metal and chrome like a motorcycle or a helmet.

Below are the petals of a clover, those tiny flowers among the grass that bees love so much.
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Sunday, July 12, 2009

A Couple of Pretty Things

A macro of the curly end of a viney thing above which was hanging out twisted among the branches of one of mom's bushes. She didn't know that it was there and proceeded to rip out almost an entire bush-worth of vines! So FINALLY, eight-and-a-half months of macro photos have resulted in one practical use of them! Vine detective.

Below is just a photo I thought was artsy and cool. I've posted photos of water droplets before, here and here and here, and love how they warp and twist the light traveling through them.
Below are the petals of a clover, those tiny flowers among the grass that bees love so much.
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Wednesday, December 31, 2008

China Beach



Another abstract image from the Christmas tree which reminds me of the imagery of the far east. Either Vietnam era tropical trees silhouetted in rising sun, or ancient Chinese bamboo in the sunset.

I made these last several by pulling back with the macro lens and shooting from a greater distance than usual. The lens was out of focal range, but the lights and silhouettes made for some interesting pictures

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Thursday, December 25, 2008

Rising Sun



A more abstract image of the pine needles against the blur of background christmas twinkly light. This one reminds me of the Japanese flag, and the poster for the movie Empire of the Sun. I've not experimented with the more two-dimensionally abstract side of macro photography before and think I should, after playing around a bit with images like this.

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Wednesday, December 24, 2008

Fake Plastic Trees



More of the oddly plastic-looking up close pine needles.

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